{"id":52443,"date":"2017-10-22T13:56:25","date_gmt":"2017-10-22T11:56:25","guid":{"rendered":"http:\/\/boto.art.pl\/?p=52443"},"modified":"2018-08-24T14:01:53","modified_gmt":"2018-08-24T12:01:53","slug":"sam-przemyslaw-wasilkowski","status":"publish","type":"post","link":"https:\/\/boto.art.pl\/index.php\/2017\/10\/22\/sam-przemyslaw-wasilkowski\/","title":{"rendered":"SAM. \/ Przemys\u0142aw Wasilkowski"},"content":{"rendered":"

[et_pb_section bb_built=”1″ admin_label=”Du\u017ce zdj\u0119cie” _builder_version=”3.0.106″ background_image=”http:\/\/boto.art.pl\/wp-content\/uploads\/2018\/08\/22047814_750813878462355_3518648097271313503_o.jpg” custom_margin=”|||” custom_padding=”0px|0px|134px|0px” parallax=”on” next_background_color=”#000000″][et_pb_row custom_padding=”21px|0px|4px|50px” _builder_version=”3.0.93″][et_pb_column type=”4_4″][et_pb_text admin_label=”Tytu\u0142” _builder_version=”3.0.106″ custom_padding=”200px|||” background_layout=”dark” text_font=”|700||on|||||” text_font_size=”34px” text_text_shadow_style=”preset4″ text_text_shadow_horizontal_length=”0.07em” text_text_shadow_color=”rgba(0,0,0,0.83)”]<\/p>\n

SAM. \/ Przemys\u0142aw Wasilkowski<\/h1>\n

[\/et_pb_text][et_pb_text admin_label=”Data” _builder_version=”3.0.106″ background_layout=”dark” text_font=”|||on|||||” text_font_size=”30px” text_text_shadow_style=”preset4″ text_text_shadow_horizontal_length=”0.07em” text_text_shadow_color=”rgba(0,0,0,0.85)”]<\/p>\n

22 pa\u017adziernika, 18.00<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=”1″ _builder_version=”3.0.93″ custom_margin=”0px|||” custom_padding=”0px|0px|0px|0px” prev_background_color=”#000000″][et_pb_row custom_padding=”80px|0px|27px|47px” _builder_version=”3.0.93″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″][et_pb_text admin_label=”Tekst w\u0142a\u015bciwy” _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Spektakl SAM. oparty na tekstach Williama Shakespeare\u2019a, Samuela Becketta i Sarah Kane nie posiada tradycyjnej struktury dramatycznej, gdzie historia bohatera, poprzez perypetie, zmierza do jakiego\u015b finalnego rozwi\u0105zania. Nie ma w nim te\u017c wyra\u017anie zarysowanej postaci scenicznej, o kt\u00f3rej mo\u017cna powiedzie\u0107 co\u015b jasnego i pewnego. Akcja spektaklu zbudowana jest z zab\u0142\u0105kanych fragment\u00f3w \u201eHamleta\u201d, \u201eTowarzystwa\u201d i \u201ePsychosis 4.48\u201d. Ich wsp\u00f3lnym tematem jest \u015bwiadomo\u015b\u0107, \u015bwiadomo\u015b\u0107 kogo\u015b, kto za wszelk\u0105 cen\u0119 chce ustali\u0107, kim tak naprawd\u0119 jest, chce pozna\u0107 tego kogo\u015b, kt\u00f3rego twarz wykleja wn\u0119trze jego umys\u0142u? Takie pytania – czy nam si\u0119 to podoba czy nie – docieraj\u0105 do nas wyra\u017anie i nieub\u0142aganie w sytuacji kryzysu to\u017csamo\u015bci, w stanach szoku lub za\u0142amania nerwowego. Dlatego taki, a nie inny dob\u00f3r tekst\u00f3w. Beckett pyta z precyzj\u0105 i metodyczno\u015bci\u0105, nieomal kartezja\u0144sk\u0105. Sarah Kane krzyczy, bez ogr\u00f3dek, prosto z serca. Szekspir wy\u015bpiewuje to w monologach szalonego Hamleta. Co ich \u0142\u0105czy? To, \u017ce cz\u0142owiek musi toczy\u0107 ten pojedynek sam. Aktor ma jednak na scenie t\u0105 przewag\u0119, \u017ce towarzyszy mu stale jego teatralny, wizualny sobowt\u00f3r, umo\u017cliwiaj\u0105c sytuacj\u0119 dialogu tak z autorem, jak i z widzem.
\nW sferze praktyki teatralnej, spektakl powsta\u0142 z inspiracji ostatnim etapem pracy Jerzego Grotowskiego, odkryciami psychologii zorientowanej na proces Arnolda Mindella, a w g\u0142\u00f3wnej mierze sytuacjami dialogicznymi wynikaj\u0105cymi z autoreferencyjnych struktur narracyjnych monolog\u00f3w beckettowskich. Ten ostatni obszar jest centralnym polem badawczym artysty i g\u0142\u00f3wnym tematem jego przewodu doktorskiego, realizowanego pod okiem prof. Krystiana Lupy.
\nW praktycznym badaniu sytuacji dialogicznej tw\u00f3rca korzysta z wiedzy i konsultacji psycholo\u017cki Agnieszki Wr\u00f3blewskiej z Warszawskiej Akademii Psychologii Zorientowanej na Proces.<\/p>\n

Re\u017cyseria, choreografia, scenografia, kostiumy: Przemys\u0142aw Wasilkowski
\nTekst: Przemys\u0142aw Wasilkowski na podstawie Samuela Becketta, Sarah Kane, Williama Shakespeare\u2019a
\nObsada: Przemys\u0142aw Wasilkowski
\nData premiery: 20 wrze\u015bnia 2016 r., Instytut Jerzego Grotowskiego we Wroc\u0142awiu
\nCzas trwania: 60 min.<\/p>\n

***
\nPrezentacja konkursowa w ramach przegl\u0105du I Sopockie Konsekwencje Teatralne 2017.<\/strong><\/p>\n

***
\nDzi\u0119kujemy firmie\u00a0Victus Apartamenty<\/a>\u00a0za pomoc w realizacji Przegl\u0105du.<\/p>\n

***
\nZe\u00a0wzgl\u0119du na\u00a0specyfik\u0119 sceny osoby sp\u00f3\u017anione nie zostan\u0105 wpuszczone.<\/strong><\/p>\n

Zdj\u0119cia z prezentacji wykonane przez Jurka Bartkowskiego.<\/p>\n

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Bilety: 35 z\u0142 (normalny), 30 z\u0142 (studenci, uczniowie, emeryci, karta sopocka, Karta do\u00a0Kultury), 20 z\u0142 (studenci kierunk\u00f3w zwi\u0105zanych z\u00a0teatrem)<\/span><\/strong><\/p>\n

[\/et_pb_testimonial][et_pb_divider color=”#e0e0e0″ show_divider=”on” _builder_version=”3.0.93″ \/][et_pb_map address=”Bohater\u00f3w Monte Cassino 54B, Sopot, Polska” address_lat=”54.443947″ address_lng=”18.567788″ _builder_version=”3.0.93″][et_pb_map_pin title=”Teatr i Baroteka BOTO” pin_address=”Bohater\u00f3w Monte Cassino 54B, Sopot, Polska” pin_address_lat=”54.443947″ pin_address_lng=”18.567788″ _builder_version=”3.0.93″]<\/p>\n

Teatr i Baroteka BOTO
\nul. Bohater\u00f3w Monte Cassino 54B
\n81-758 Sopot<\/p>\n

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22 pa\u017adziernika, 18.00<\/p><\/blockquote>\n

Prezentacja konkursowa w ramach przegl\u0105du I Sopockie Konsekwencje Teatralne 2017.\u00a0<\/em>
\n<\/strong>Spektakl SAM. oparty na tekstach Williama Shakespeare\u2019a, Samuela Becketta i Sarah Kane nie posiada tradycyjnej struktury dramatycznej, gdzie historia bohatera, poprzez perypetie, zmierza do jakiego\u015b finalnego rozwi\u0105zania.<\/p>\n","protected":false},"author":2,"featured_media":52444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[72],"tags":[],"class_list":["post-52443","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-konsekwencje"],"yoast_head":"\nSAM. \/ Przemys\u0142aw Wasilkowski — Teatr Boto<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/boto.art.pl\/index.php\/2017\/10\/22\/sam-przemyslaw-wasilkowski\/\" 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