{"id":53317,"date":"2018-10-02T16:58:21","date_gmt":"2018-10-02T14:58:21","guid":{"rendered":"http:\/\/boto.art.pl\/?p=53317"},"modified":"2018-12-03T20:24:55","modified_gmt":"2018-12-03T19:24:55","slug":"hamlet-sen-swieto-snow-skt-2018","status":"publish","type":"post","link":"https:\/\/boto.art.pl\/index.php\/2018\/10\/02\/hamlet-sen-swieto-snow-skt-2018\/","title":{"rendered":"Hamlet. Sen \/ S\u0142awek Krawczy\u0144ski, Anna Godowska: \u015awi\u0119to Sn\u00f3w \/ SKT 2018"},"content":{"rendered":"

[et_pb_section bb_built=”1″ admin_label=”Du\u017ce zdj\u0119cie” _builder_version=”3.12.2″ background_image=”http:\/\/boto.art.pl\/wp-content\/uploads\/2018\/10\/45055772_969264249950649_835853695827574784_o.jpg” custom_margin=”|||” custom_padding=”0px|0px|134px|0px” parallax=”on” next_background_color=”#ffffff”][et_pb_row custom_padding=”21px|0px|4px|50px” _builder_version=”3.0.93″][et_pb_column type=”4_4″][et_pb_text admin_label=”Tytu\u0142” _builder_version=”3.12.2″ custom_padding=”200px|||” background_layout=”dark” text_font=”|700||on|||||” text_font_size=”34px” text_text_shadow_style=”preset4″ text_text_shadow_horizontal_length=”0.07em” text_text_shadow_color=”rgba(0,0,0,0.83)”]<\/p>\n

Hamlet. Sen \/ S\u0142awek Krawczy\u0144ski, Anna Godowska: \u015awi\u0119to Sn\u00f3w \/ SKT 2018<\/h1>\n

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2 grudnia, 18.00<\/p>\n

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Spektakl solowy, stanowia\u0328cy wizje\u0328 pos\u0301miertnej we\u0328dro\u0301wki Hamleta przez jego w\u0142asne dzieje. Projekt stanowi kontynuacje\u0328 prac artystyczno-badawczych S\u0142awka Krawczyn\u0301skiego i Anny Godowskiej, pos\u0301wie\u0328conych zastosowaniu technik pracy ze snami i nies\u0301wiadomos\u0301cia\u0328 w praktyce tan\u0301ca i teatru. Badania te, rozwijane od 2004 roku do dzisiaj, dotyczy\u0142y przede wszystkim sztuki tan\u0301ca.
\n\u201eHamlet. Sen\u201d jest pierwszym przedsie\u0328wzie\u0328ciem w ramach tego d\u0142ugofalowego projektu, w ca\u0142os\u0301ci skupionym na sztuce aktora.<\/p>\n

G\u0142o\u0301wna idea spektaklu wy\u0142oni\u0142a sie\u0328 bezpos\u0301rednio z tekstu Szekspira, jako rozwinie\u0328cie mrocznej fantazji Hamleta, kto\u0301ra pojawia sie\u0328 w jego wielkim monologu:
\n\u201eUmrzec\u0301 – usna\u0328c\u0301 –<\/em>
\nSpac\u0301 – i s\u0301nic\u0301 moz\u0307e? Ha, tu sie\u0328 pojawia<\/em>
\nPrzeszkoda: jakie moga\u0328 nas nawiedzic\u0301<\/em>
\nSny w drzemce s\u0301mierci, gdy s\u0301cichnie za nami<\/em>
\nDoczesny zame\u0328t?\u201c<\/em><\/p>\n

S\u0142owa te wywo\u0142uja\u0328 skojarzenia, kto\u0301re wykraczaja\u0328 poza akcje\u0328 tragedii. Jak zakle\u0328cie otwieraja\u0328 nas na niepoje\u0328ta\u0328 rzeczywistos\u0301c\u0301. W tej scenie Hamlet s\u0301ni na jawie swoja\u0328 s\u0301mierc\u0301. Jego przeczucia poddaja\u0328 w wa\u0328tpliwos\u0301c\u0301 sens kluczowego pytania \u201ebyc\u0301 albo nie byc\u0301\u201d, poniewaz\u0307 sugeruja\u0328, z\u0307e \u201enie byc\u0301\u201d moz\u0307e okazac\u0301 sie\u0328 po prostu inna\u0328 forme\u0328 \u201ebyc\u0301\u201d. Na horyzoncie mys\u0301li Hamleta majaczy niepokoja\u0328ca intuicja, iz\u0307 nie ma wyjs\u0301cia z gry, jaka\u0328 jest ludzki los, bowiem z\u0307ycie tylko co do substancji, ro\u0301z\u0307ni sie\u0328 od \u201edrzemki s\u0301mierci\u201c.
\nNa tym tle monologi Hamleta sa\u0328 jak b\u0142ysk s\u0301wiat\u0142a \u2013 oto s\u0301wiadomos\u0301c\u0301, samotna pos\u0301ro\u0301d ziemskich z\u0142udzen\u0301, mglistych celo\u0301w i powszechnego uwik\u0142ania Ale to w\u0142as\u0301nie ona jest zala\u0328z\u0307kiem duchowego wyzwolenia.<\/p>\n

\u015awi\u0119to Sn\u00f3w \/ The Rite of Dreams
\n„Hamlet. Sen”
\nna podstawie \u201eHamleta\u201c Williama Szekspira, inspirowany takz\u0307e \u201eTybetan\u0301ska\u0328 ksie\u0328ga\u0328 umar\u0142ych\u201c<\/p>\n

Scenariusz, rez\u0307yseria – S\u0142awek Krawczyn\u0301ski
\nChoreografia – Anna Godowska
\nWykonanie – Borys Jaz\u0301nicki
\nMuzyka – Peter \u0141yczkowski<\/p>\n

Premiera: 27 listopada 2017 Instytut Teatralny im. Zbigniewa Raszewskiego
\nProdukcja: Stowarzyszenie Scena 96
\nKoprodukcja: Art Quarter Budapest<\/p>\n

Spektakl zosta\u0142 zrealizowany dzie\u0328ki dotacji Ministerstwa Kultury i Dziedzictwa Narodowego. Projekt realizowano dzie\u0328ki wsparciu Funduszu Wyszehradzkiego, w ramach programu VARP. Specjalne podzie\u0328kowania dla Teatru Ochoty za pomoc w realizacji spektaklu.<\/p>\n

***
\nPrezentacja konkursowa w ramach\u00a0Sopockich Konsekwencji Teatralnych 2018<\/a><\/strong><\/p>\n

Organizator: Teatr BOTO<\/em>
\nPartner: Victus Apartamenty<\/em>
\nPatroni medialni: Trojmiasto.pl, Radio Gdansk, Presti\u017c. Magazyn Tr\u00f3jmiejski, e-teatr.pl, teatralia.pl<\/em><\/p>\n

Projekt finansowany ze \u015brodk\u00f3w Miasta Sopotu.<\/em><\/p>\n

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BILETY:<\/strong>
\n >>> 35 z\u0142 – normalny<\/strong>
\n >>> 30 z\u0142 – ulgowy (studenci, emeryci, Karta do Kultury, Karta Sopocka, honorowi Dawcy Krwi)<\/strong>
\n >>> 20 z\u0142 – studencki artystyczny<\/strong><\/p>\n

[\/et_pb_testimonial][et_pb_divider color=”#e0e0e0″ show_divider=”on” _builder_version=”3.0.93″ \/][et_pb_map address=”Bohater\u00f3w Monte Cassino 54B, Sopot, Polska” address_lat=”54.443947″ address_lng=”18.567788″ _builder_version=”3.0.93″][et_pb_map_pin title=”Teatr i Baroteka BOTO” pin_address=”Bohater\u00f3w Monte Cassino 54B, Sopot, Polska” pin_address_lat=”54.443947″ pin_address_lng=”18.567788″ _builder_version=”3.0.93″]<\/p>\n

Teatr i Baroteka BOTO
\nul. Bohater\u00f3w Monte Cassino 54B
\n81-758 Sopot<\/p>\n

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2 grudnia, 18.00<\/p><\/blockquote>\n

Prezentacja konkursowa w ramach\u00a0Sopockich Konsekwencji Teatralnych 2018<\/a><\/em>
\n\u201eUmrzec\u0301 – usna\u0328c\u0301 –
\nSpac\u0301 – i s\u0301nic\u0301 moz\u0307e? Ha, tu sie\u0328 pojawia
\nPrzeszkoda: jakie moga\u0328 nas nawiedzic\u0301
\nSny w drzemce s\u0301mierci, gdy s\u0301cichnie za nami
\nDoczesny zame\u0328t?\u201c
\nSpektakl solowy, stanowia\u0328cy wizje\u0328 pos\u0301miertnej we\u0328dro\u0301wki Hamleta przez jego w\u0142asne dzieje. Projekt stanowi kontynuacje\u0328 prac artystyczno-badawczych S\u0142awka Krawczyn\u0301skiego i Anny Godowskiej, pos\u0301wie\u0328conych zastosowaniu technik pracy ze snami i nies\u0301wiadomos\u0301cia\u0328 w praktyce tan\u0301ca i teatru.<\/p>\n","protected":false},"author":2,"featured_media":53318,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[76],"tags":[],"class_list":["post-53317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ii-konsekwencje"],"yoast_head":"\nHamlet. Sen \/ S\u0142awek Krawczy\u0144ski, Anna Godowska: \u015awi\u0119to Sn\u00f3w \/ SKT 2018 — Teatr Boto<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/boto.art.pl\/index.php\/2018\/10\/02\/hamlet-sen-swieto-snow-skt-2018\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hamlet. Sen \/ S\u0142awek Krawczy\u0144ski, Anna Godowska: \u015awi\u0119to Sn\u00f3w \/ SKT 2018 — Teatr Boto\" \/>\n<meta property=\"og:description\" content=\"2 grudnia, 18.00 Prezentacja konkursowa w ramach\u00a0Sopockich Konsekwencji Teatralnych 2018 \u201eUmrzec\u0301 - usna\u0328c\u0301 - Spac\u0301 - i s\u0301nic\u0301 moz\u0307e? Ha, tu sie\u0328 pojawia Przeszkoda: jakie moga\u0328 nas nawiedzic\u0301 Sny w drzemce s\u0301mierci, gdy s\u0301cichnie za nami Doczesny zame\u0328t?\u201c Spektakl solowy, stanowia\u0328cy wizje\u0328 pos\u0301miertnej we\u0328dro\u0301wki Hamleta przez jego w\u0142asne dzieje. Projekt stanowi kontynuacje\u0328 prac artystyczno-badawczych S\u0142awka Krawczyn\u0301skiego i Anny Godowskiej, pos\u0301wie\u0328conych zastosowaniu technik pracy ze snami i nies\u0301wiadomos\u0301cia\u0328 w praktyce tan\u0301ca i teatru.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/boto.art.pl\/index.php\/2018\/10\/02\/hamlet-sen-swieto-snow-skt-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"Teatr Boto\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/teatrboto\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-02T14:58:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-12-03T19:24:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/boto.art.pl\/wp-content\/uploads\/2018\/10\/45055772_969264249950649_835853695827574784_o.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1480\" \/>\n\t<meta property=\"og:image:height\" content=\"2088\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Boto\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"Boto\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/boto.art.pl\\\/index.php\\\/2018\\\/10\\\/02\\\/hamlet-sen-swieto-snow-skt-2018\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/boto.art.pl\\\/index.php\\\/2018\\\/10\\\/02\\\/hamlet-sen-swieto-snow-skt-2018\\\/\"},\"author\":{\"name\":\"Boto\",\"@id\":\"https:\\\/\\\/boto.art.pl\\\/#\\\/schema\\\/person\\\/32351b82314d51e0d0b8554bf8f95b4d\"},\"headline\":\"Hamlet. 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Ha, tu sie\u0328 pojawia Przeszkoda: jakie moga\u0328 nas nawiedzic\u0301 Sny w drzemce s\u0301mierci, gdy s\u0301cichnie za nami Doczesny zame\u0328t?\u201c Spektakl solowy, stanowia\u0328cy wizje\u0328 pos\u0301miertnej we\u0328dro\u0301wki Hamleta przez jego w\u0142asne dzieje. 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